![]() "I do think we did a bunch of things first. I think just became the way people started consuming things," Publick says. "A lot of stuff we were doing that wasn't really being done. Like its forebear, Archer refrains from holding viewers' hands through its callback-heavy humor and often obscure pop culture references. " Archer was the first time somebody took what we were doing and fixed it," Hammer says. Hammer pegs Archer, which is currently airing its 11 th season on FXX, as the first time he encountered something on TV that resembled The Venture Bros. Breakout success Rick and Morty just took home its second Emmy for its own twisted send up of sci-fi clichés, and the Venture family tackled the cascading cause and effects of intergenerational trauma long before BoJack Horseman garnered widespread acclaim for doing the same. are now accepted as de rigueur in so-called mature American animation. Simmons, Cristin Milioti, Kate McKinnon and Jeffrey Wright. Many luminaries stopped by to voice guest roles, including J.K. ![]() Its intensive continuity left a lot for viewers to sift through: The Venture lore encompasses decades-worth of fictional hijinks intersecting with real historical events, and its cast quickly ballooned in size and never stopped expanding. Even on its own network, Venture shared the airwaves with goofy, stakes-free 11-minute programs like Aqua Teen Hunger Force and Robot Chicken. But this was still a relative rarity when the series started in the early 2000s - The Sopranos had yet to air its own famous finale, and seminal "golden age" TV shows like Mad Men and Breaking Bad were still years away. This may seem unremarkable in the streaming era, when the instant availability of shows has made it easier than ever for viewers to consume, memorize and scrutinize the tiniest of details at a whim. Sometimes we'll do a whole season about renovating a house." "If somebody blows a hole in the wall, it's either being fixed or staying in the wall for the rest of the season. He and co-writer Doc Hammer wrote all but one of the show's 86 installments spread across seven seasons. "There was just a natural instinct to care about continuity and that anything that actually happened was going to stay happened," Publick says. That is, rather than conforming to the classic sitcom trope of reverting back to square one after each installment, the plots and character nuances had long-term consequences several seasons could go by before a given episode's ripple effects were truly felt. Unlike its animated peers - even comedic shows that wrung poignancy from their storylines like The Simpsons or Futurama - the events depicted in its episodes lingered. didn't seem all that different from other Adult Swim offerings of the era like Space Ghost Coast to Coast and Sealab 2021, all of which sent up old children's cartoons with the unwanted wisdom and dark humor that inevitably comes with adulthood.īy the end of its first season, there were signs Venture was evolving into something different. When the show's pilot aired in 2003, The Venture Bros. The artist and writer was riffing on the inherent absurdity of dragging children around on globetrotting misadventures, a genre trope memorably depicted in Saturday morning cartoons like Jonny Quest with roots dating back to the paperback tales of Doc Savage and Tom Swift. The premise might sound a little more familiar than its actual name: As detailed in the exhaustive tome Go Team Venture!: The Art and Making of The Venture Bros., the show began as a series of doodles by co-creator Jackson Publick in the late '90s. "Rusty" Venture, his sons Hank and Dean - the titular brothers of the program - and bodyguard Brock Samson on episodic romps in the action-adventure and science fiction vein. ![]() Bullseye with Jesse Thorn Lemmy and Jackson Publick
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